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Wednesday, September 30, 2015
LEICA LOUNGE: with Paul Morris Thursday, October 1st, 2015
Friday, September 18, 2015
Kicking off Football Season 2015 with Photojournalist Al Diaz
Al Diaz aldiaz305@aol.com
Football season, my favorite
time of year! Kicked it off by
photographing three winning teams. This weekend I traveled to Washington DC as
the Miami Dolphins defeated the Washington Redskins 17-10.
Shot with the Canon 1DX DSLR with a Canon EF 70-200mm f/2.8L IS II with Peak Design camera straps I haul it all in my Think Tank Airport Security |
On Friday night in Boca
Raton, the Hurricanes stormed into FAU stadium with a weather delay during the
game that lasted over an hour. The University of Miami defeated Florida
Atlantic University 44-20.
Shot with the Canon 1DX DSLR with a Canon EF 70-200mm f/2.8L IS II with Peak Design camera straps I haul it all in my Think Tank Airport Security |
The previous week in Orlando
FIU Panthers roared into UCF but barely squeaked by with a 15-14 win and the U trounced
Bethune-Cookman at newly renovated Sun Life Stadium 45-0.
On September 3, the Miami
Herald published my football preview covers featuring Ndamukong Suh for the
Mami Dolphins, Brad Kaaya for the University of Miami, Richard Leonard for
Florida International University, Flanagan High’s Devin Bush Jr. for Broward
High Schools and Central High’s Donovan Thompson for Miami-Dade High Schools.
My favorite shot is of Flanagan’s
Devin Bush Jr. That image was shot in a hot tub overlooking a pool.
I used a black muslin
background on a backdrop stand weighted down with sand bags. On either side I
used two light stands with two Canon Speedlite 600EX-RT elevated
to about six feet. At the bottom of the each light stand I placed two more
Canon 600 strobes attached with Manfrotto 244RC
Variable Friction Magic Arms. The
rim light backlit the water nicely. For the main light I used a fifth Canon 600EX- mounted on a Manfrotto 025BS Super Boom Arm with
Pivoting Clamp boom attached to a Manfrotto Cine Stand 008 with Casters.
Below and off to the left I
used a Photoflex Litepanel 39x39"
Aluminum Frame reflector for fill.
By the time we were ready it
was dark. The strobes are all set to high speed sync so I could shoot at a
shutter speed of 1600 at f/3.5, ISO 500 on the Canon EOS-1D X Digital SLR Camera with a Canon EF 70-200mm
f/2.8L IS II USM AutoFocus Telephoto Zoom Lens – USA.
I triggered the devices using a Canon Speedlite Transmitter ST-E3-RT.
The toughest part was
getting the beam of light from the strobe mounted to the boom to strike the
subjects face. The high-speed sync also causes the batteries to drain quicker
which caused a few misfires. Bush made several attempts at leaping out of the
water until I finally captured an image with his hair looking hydro electric!
Shot with the Canon 1DX DSLR with a Canon EF 70-200mm f/2.8L IS II
I haul all in my strobe gear in a Think Tank Photo International rolling camera bag and the Production Manager 40
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Using my 3 Legged Thing Monopod, Canon gear and Peak Design Sling. |
Wednesday, September 16, 2015
Holga Digital Camera on Kickstarter
Mr. T.M. Lee, the 84-year-old creator of Holga cameras, has recently launched Holga Digital, revolutionizing the retro camera without the necessity of 35mm film. The new line not only reintroduces the iconic toy camera to the world with a fresh color pallet, but also allows users to instantly work on their photos using a WiFi SD card.
The Holga Digital is a high-quality glass optic with F2.8 and F8.0 aperture settings to fit different environments and situations, giving users the freedom to experience the unique Holga image style. For users interested in further developing their own unique shots, Holga will also offer different lenses and mounted external flashes as available accessories.
The Holga Digital is a high-quality glass optic with F2.8 and F8.0 aperture settings to fit different environments and situations, giving users the freedom to experience the unique Holga image style. For users interested in further developing their own unique shots, Holga will also offer different lenses and mounted external flashes as available accessories.
Wednesday, September 9, 2015
PEAK DESIGN: Introducing SlideLITE, Miirrorless Camera Sling/Neck/Shoulder Strap
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Wednesday, September 2, 2015
LEICA LOUNGE: With Carl Juste | Thursday, September 3, 2015 | 7:00pm - 8:30pm
Free Event
Join us in the Leica Lounge on Thursday, September 3, 2015 with Miami Herald photographer Carl Juste. Carl will be talking about the value of still images and why they still matter.
#Still Image Still Matters
With the onset with the digital age, are we moving so fast that we have forgotten to slow down gather are thoughts, reflect on our lives, and critically think and question before we act? The thirst to be first has been replaced with the hunger for the latest devices, technological advances, and coolest perspectives causing audiences to suffer from a saturation of visual stimuli, demanding the next photographic fix at any cost.
Photographic trends change like the newest fashion or dance step. We, as visual communicators, are forced to feed the beast moving as if the photographic process travels at the speed of light, but at what cost? What would happen if we actually slowed down? If we stopped treating our subjects as just visual props?
The photographic process has been my passport to understand my engagement with the world. In other words, "it has always been personal." Caught in fraction of seconds to move audiences for years, is why I make images. The still image is not solely a product of reflection, but the source of initial investigation. Simply put it is the universal visual question of "why?".
The still image makes us pause as it translates our visual sensibilities into the singular definitive moment. As photojournalists, we produce the most democratic contemporary art form. The still image is the reoccurring birth of our values, prejudices, fears, and hopes presented in the visual language with no need of any additional interface. The strong still image requires no advocate. It stand alone regardless of it author. It can be designed with purpose or an outcome of coincidence. The still image still matters because its value is not how fast it moves but how quickly it moves its audience.
Leica Lounge is a lecture series hosted by Leica Store Miami which features presentations by local members of the photography community. Held monthly, these free events are designed to create and inspire the local photography community through sharing images and exchanging ideas.
The Leica Lounge is kindly sponsored by Brooklyn Brewery. Participants will be able to sample some of their amazing craft beers during the event. Brooklyn Brewery is one of the largest craft breweries in the United States, producing a portfolio of traditional and experimental beers sure to impress any beer drinker.
About Carl:
Under threat of persecution, Haitian-born Carl Philippe Juste and his politically active family were forced to flee their homeland in 1965. Settling in Miami’s Haitian community, Carl flourished academically and attended the University of Miami. He vigorously pursued photojournalism and, since 1991, has worked as a photojournalist for The Miami Herald. He has carried out extensive assignments for the Miami Herald in Haiti, Cuba, Brazil, Pakistan, Afghanistan and Iraq.
Juste has received numerous awards for his work,including the Robert F. Kennedy Journalism Award. His work has been exhibited in various prestigious institutions and galleries in Cuba, the Dominican Republic and the United States. Carl-Philippe Juste is one of the co-founders of Iris Photo Collective in 1998, a collaboration to create a new context in order to explore and document the relationship of people of color to the world. In the spring of 2010, Juste founded the IPC Visual Lab, a unique photography course that examines visual storytelling in the classical vein of photojournalism. Carl-Philippe Juste is currently working on his first book, Havana and Haiti: Two Cultures, One Community.
To view more of Carl's work, visit his website.
Juste has received numerous awards for his work,including the Robert F. Kennedy Journalism Award. His work has been exhibited in various prestigious institutions and galleries in Cuba, the Dominican Republic and the United States. Carl-Philippe Juste is one of the co-founders of Iris Photo Collective in 1998, a collaboration to create a new context in order to explore and document the relationship of people of color to the world. In the spring of 2010, Juste founded the IPC Visual Lab, a unique photography course that examines visual storytelling in the classical vein of photojournalism. Carl-Philippe Juste is currently working on his first book, Havana and Haiti: Two Cultures, One Community.
To view more of Carl's work, visit his website.