Think Tank Photo: VISION SHOULDER BAG SERIES

Vision Shoulder Bag Series Introduction

Great photography begins with a vision, and we're excited to announce the release of Think Tank's Vision Shoulder Bag Series. The bags are designed to fit DSLR and Mirrorless camera gear with pro-sized lenses and hoods, and are constructed from durable, yet stylish, weather-resistant materials. Vision is an ideal carry solution for professional and aspiring photographers alike. FREE GEAR Use this link in order to receive free gear and shipping on all orders over $50. https://www.thinktankphoto.com/collections/vision-shoulder-bag-series?rfsn=165002.6dc14 VISION SHOULDER BAG SERIES SUMMARY Our friends at Think Tank Photo just announced that they’ve launched their new Vision Shoulder Bag Series. Available in three sizes (the Vision 10, 13, and 15) the Vision Series fits a wide variety of DSLR and Mirrorless camera kits in a customizable padded divider system, providing ample room for pro-sized lenses and hoods. The shoulder bags also feature dedicated pockets for smartphones, 10-inch tablets, and laptops up to 15-inches. Constructed with durable, yet stylish, weather-resistant materials, Vision offers the access, security, and quality you’ve come to expect from Think Tank.

The Sunday Still from Patrick Farrell: “Surviving R. Kelly”

Photojournalist Patrick Farrell has joined the blog with his weekly feature, The Sunday Still. Farrell selects one image each week that showcases the best photojournalism by photojournalists from around the world. The feature runs weekly in The Sunday Long Read. The goal of the newsletter, edited by Don Van Natta Jr. and Jacob Feldman, is to put the week’s best journalism in your hands every Sunday morning. The Sunday Still from Patrick Farrell

“Surviving R. Kelly” For makeup artist-turned-photographer Lazarus Jean-Baptiste, the behind-the-scenes assignment to shoot CBS This Morning co-anchor Gayle King interviewing accused sex abuser/singer R. Kelly rocketed from routine to viral when Kelly lost his cool. As video clips of the explosive March 6 moment trended across social media, it was the still photograph of an unflinching female journalist maintaining sphinx-like composure in the face of male fury that captured everybody’s attention – and imagination. The Washington Post called Jean-Baptiste’s photo a “Renaissance painting.” San Francisco Chronicle art critic Charles Desmarais objected and dubbed it modern art. Women identified by sharing the photo with the Twitter hashtag #unbothered. To his credit, Jean-Baptiste resisted the urge to zoom in on Kelly’s rage and provided a wider perspective that encompassed the calm contrast of King’s professional composure. The result? A powerful, indelible image that lasts longer than any temper tantrum. Patrick Farrell, the curator of The Sunday Still, is the 2009 Pulitzer Prize-winner for Breaking News Photography for The Miami Herald, where he has worked since 1987. He is currently a Lecturer in the Department of Journalism and Media Management at the University of Miami School of Communication.

The Sunday Still from Patrick Farrell: Violence at the Venezuelan Border

Photojournalist Patrick Farrell has joined the blog with his weekly feature, The Sunday Still. Farrell selects one image each week that showcases the best photojournalism by photojournalists from around the world. The feature runs weekly in The Sunday Long Read. The goal of the newsletter, edited by Don Van Natta Jr. and Jacob Feldman, is to put the week’s best journalism in your hands every Sunday morning.

The Sunday Still from Patrick Farrell

Violence at the Venezuelan Border  Sometimes you have to use your feet to zoom in rather than the lens. Marco Bello of Reuters risked personal harm on Feb. 23 to deliver a tight shot that delivered us to the Venezuela-Colombia border, where the Venezuela National Guard and protestors clashed over the delivery of U.S.-backed emergency food and medical supplies to the crumbling country.   Patrick Farrell, the curator of The Sunday Still, is the 2009 Pulitzer Prize-winner for Breaking News Photography for The Miami Herald, where he has worked since 1987. He is currently a Lecturer in the Department of Journalism and Media Management at the University of Miami School of Communication.

Photojournalists C.M. Guerrero and Patrick Farrell take buyouts at Miami Herald

On Thursday, several of the Miami Herald and El Nuevo Herald’s finest took buyouts. In the photography department, C.M. Guerrero and Patrick Farrell will no longer be working for Miami’s newspaper of record. Charles Trainor's Miami Herald newsroom goodbye email to Guerrero and Farrell reminded of how fortunate I have been to work closely with Guerrero plus the Miami winners of the Pulitzer Prize in Photojournalism who I have worked with in Miami; Patrick Farrell, Michel du Cille, Carol Guzy, Brian Smith and Alan Diaz. Smith won the Pulitzer as a staffer at the LA Times before joining the Herald and Alan Diaz won it for the Associated Press. We have lost Michel and Alan, Carol has moved on to Washington, DC, Smith is a celebrated portrait photographer for the stars and now Patrick and Guerrero are no longer a staffer at the Miami Herald. When I started working at the Herald we had over 35 photographers on staff. As I said, I have been fortunate to work with so many outstanding award-winning photojournalists and I'm sure it has made me a better photographer. 

Below are Trainor’s goodbye emails to Patrick and Guerrero.

PATRICK
My friend and colleague Patrick Farrell is leaving the Miami Herald to pursue other opportunities in photography. Patrick and I started together in a small bureau in Hollywood and, together, we shared a passion for our work and the Miami Herald. During those few years, I saw a photographer with an eye unlike any I’ve ever studied or work with. He saw his images with such a unique perspective. 

When Hurricane Andrew struck in 1992 it was a tragic time for South Florida, but our photo staff rose to the occasion and produced incredible images that helped the world see the tragic consequences of the storm. The Miami Herald won the Pulitzer Prize for Public Service. The photo staff didn’t win the photojournalism category, we were finalists but we were fortunate to be able to say we were part of the newsroom's effort. 

Then in 2009, Hurricane Ike struck Haiti. Patrick Farrell and Jacqueline Charles were on the island, with great possible consequences to their well-being. Their coverage of the story grabbed the hearts of the world. Jacqueline’s stories and Patrick’s images to this day can bring a tear to the eye of the viewer. Patrick, with two small children at home, had his heart ripped out watching the parents and friends hold their sons and daughters who were lost in the floods. Those of us close to Patrick could see the emotional and physical toll it took on him. 

Patrick’s work in Haiti was awarded the 2009 Pulitzer Prize in Breaking News in Photojournalism, one of three Pulitzers in Photojournalism that photography staffers have won for the Miami Herald. He joined a talented legacy paved by Carol Guzy and the late Michel du Cille for winning the Pulitzer Prize in Photojournalism at the Miami Herald. Their names on that incredible wall in our lobby. 

I accompanied Patrick on his last Miami Herald assignment. It was at the University of Miami, where he attended college and is now a professor of photojournalism – a fitting final assignment. As we talked about his time at the Herald, he remarked, “I’ve never seen finer coverage of a hurricane than our staff did with Hurricane Andrew. Each photographer had so many remarkable images, each had a Pulitzer entry of their own.” That’s quite a compliment from the 2009 Pulitzer winner in Photojournalism. It demonstrates how Patrick always deflects attention and always supports his colleagues. We will miss his generous spirit and his talent.

The Photographer’s Storm: Patrick Farrell and His Photos of Storm-Ravaged Haitihttps://vimeo.com/8729472

GUERRERO
Today I would like to bid farewell to another colleague, Carlos Guerrero. Carlos’ tenure at the Miami Herald and El Nuevo has been marked with excellent work and a flair to describe a moment in time with words like no other. It has always been a pleasure to have a conversation with Carlos. And we will never forget his iconic image of the man standing in water, disheveled and shocked after Hurricane Andrew. It ran the full page on 1A, a striking photo that to this day can be considered the iconic image from the storm. 

I’m honored to have shared an acknowledgment with Carlos. Carlos and I were recognized by a committee at Knight Ridder for photographing two of the most important images taken by photographers at the Miami Herald: Carlos’ Hurricane Andrew photograph of the man and my image of the women in the raft during the Cuban rafters crisis. That is something he and I will always share. 

I have covered countless Miami Dolphins games, Carlos contributing to that coverage, and to this day I will always admire his image of Miami Dolphins receiver Chris Chambers’ one-handed touchdown catch in the end zone. Carlos scored that day, too. 

I can speak for us all in the photo department when I say that, “Carlos, we will miss you, but we will always be friends!”

The Sunday Still from Patrick Farrell: Lunch in Harlem

Photojournalist Patrick Farrell will be joining the blog with his weekly feature, The Sunday Still. Farrell selects one image each week that showcases the best photojournalism by photojournalists from around the world. The feature runs weekly in The Sunday Long Read. The goal of the newsletter, edited by Don Van Natta Jr. and Jacob Feldman, is to put the week’s best journalism in your hands every Sunday morning.

The Sunday Still from Patrick Farrell

Lunch in Harlem A month after California Democratic Sen. Kamala D. Harris announced her bid to become the first black female president, AP photographer Bebeto Matthews drew the press pool position to shoot a Feb. 21 meeting between Harris and Rev. Al Sharpton at Sylvia’s in Harlem. The famous soul food restaurant is the same one where Barack Obama and Bernie Sanders met with Sharpton to (unsuccessfully) seek his endorsement. Although Matthews’ photo would be shared, other New York photographers weren’t about to miss their shot. Matthews positioned himself inside and rose above a standard meeting image by including the photo pack outside, pressed against the cold window, to emphasize the importance of the historic sit-down. Patrick Farrell, the curator of The Sunday Still, is the 2009 Pulitzer Prize-winner for Breaking News Photography for The Miami Herald, where he has worked since 1987. He is currently a Lecturer in the Department of Journalism and Media Management at the University of Miami School of Communication.

Photo Workshops Miami has launched 2019 with Everglades Adventure & Location Lighting Workshops

Photo Workshops Miami has launched 2019 with two photo workshops. Everglades Adventure with Robert Sullivan on March 16, and Location Lighting Workshops with Rick Friedman on March 23 & 24.

ABOUT THE EVERGLADES WORKSHOP

Location  |  Clyde Butcher’s Big Cypress Gallery 52388 Tamiami Trail E, Ochopee, FL 34141
All inclusive photo workshop - $795 per person  |  Early Bird Special $695 (limited quantities)

Experience Big Cypress National Preserve Everglades just as Clyde Butcher sees it right from his backyard! Come spend the day with award-winning photographer and instructor, Robert Sullivan, accompanied by photojournalist, Al Diaz and a naturalist guide on a swamp walk in the Everglades. Have lunch in a swamp cottage and watch an information-packed visual PowerPoint presentation on nature photography, then we move onto a boardwalk photo-walk. We will wrap up the day with a spectacular two-hour airboat ride to a Miccosukee Indian-owned island at sunset deep in the Everglades River of Grass.

• Spectacular two-hour sunset airboat ride to Miccosukee island that coincides with sunset “golden hour” and “blue hour”
• 12+ hours of adventure
• Continental breakfast
• Swamp walk with a naturalist and photography instructor Robert Sullivan  
• Tour Clyde Butcher's Big Cypress Gallery
• Lunch in Clyde Butcher's Swamp Cottage
• Photowalk & boardwalk
• Visual PowerPoint presentation by Sullivan

FOR MORE INFO VISIT: PHOTO WORKSHOPS MIAMI

ABOUT LOCATION LIGHTING WORKSHOPS: THE STUDIO | THE BEACH | WITH RICK FRIEDMAN

Location: Townsend Photographics, Inc. Studio 

4812 NE 12th Ave., Fort Lauderdale, Florida 33334 

DAY ONE  |  THE STUDIO   |  SATURDAY, MARCH 23RD  |  10 AM - 5:30 PM | $249.95

​DAY TWO  |  THE BEACH   |  SUNDAY, MARCH 24TH  |  2 PM - 8 PM | $249.95

COMBO TICKET FOR BOTH WORKSHOPS | $395.95

DAY 1  |  THE STUDIO

Spend the day  with Rick Friedman in an intensive 

hands on portrait lighting workshop. Participants 

will come away with a greater knowledge

of how to control light using light modifiers 

and produce creative portraits while working 

and learning how to pose a live model.

DAY 2  |  THE BEACH

The beach will be our studio for the day as Friedman 

teaches you how to photograph a model in harsh 

conditions while controlling and overpowering 

the hot Florida sun using light modifiers, 

reflectors, soft boxes and scrims. 

We will progress into photographing at 

sunset’s "golden hour" and later the 

"blue hour" of gorgeous light.

    FOR MORE INFO VISIT: PHOTO WORKSHOPS MIAMI

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