Monday, July 1, 2019

AL DIAZ PHOTOS: Coverage of the First Democratic Candidates Debate in Miami


Senator Bernie Sanders exits the Spin Room after the first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Thursday, June 27, 2019.
Tthe first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Thursday, June 27, 2019.
Democratic presidential candidates wave to the crowd before the start of the first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Thursday, June 27, 2019.
Democratic presidential candidate Sen. Bernie Sanders (I-VT) walks past former Vice President Joe Biden during a commercial break of the first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Thursday, June 27, 2019.

Democratic presidential candidate Sen. Kamala Harris (D-CA) speaks during the first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Thursday, June 27, 2019.

Democratic presidential candidates Mayor of South Bend Pete Buttigieg, former vice president Joe Biden and Sen. Bernie Sanders, left to right, attempt to get the attention of the NBC moderators during the first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Thursday, June 27, 2019.

Democratic presidential candidate and Vice President Joe Biden takes a selfie with an attendee at the conclusion of the first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Thursday, June 27, 2019.

Democratic presidential candidates attend the first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Wednesday, June 26, 2019.

A heckler is escorted off the stage before the start of the first Democratic primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Wednesday, June 26, 2019. 
Democratic presidential candidates embrace after the end of the first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Wednesday, June 26, 2019.

Democratic presidential candidate Sen. Elizabeth Warren (D-MA) takes a selfie with attendees at the end of the first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Wednesday, June 26, 2019.

Miami Herald team coverage of the first primary debate for the 2020 elections at the Adrienne Arsht Center for the Performing Arts in downtown Miami on Wednesday, June 26, 2019.

Sunday, June 30, 2019

The Sunday Still: Death on the Rio Grande

Photojournalist Patrick Farrell has joined the blog with his weekly feature, The Sunday Still. Farrell selects one image each week that showcases the best photojournalism by photojournalists from around the world. The feature runs weekly in The Sunday Long Read. The goal of the newsletter, edited by Don Van Natta Jr. and Jacob Feldman, is to put the week’s best journalism in your hands every Sunday morning.

The Sunday Still
from Patrick Farrell


Death on the Rio Grande 

Washed up in the reeds of the Rio Grande, Óscar Alberto Martínez Ramírez and his 23-month-old daughter Valeria shed their anonymity on June 24, when a photo of their final embrace turned a policy debate about immigration into a personal account of one young Salvadoran family’s destruction. It’s the intimate details – the toddler’s arm draped around her father’s shoulders, her diaper swollen with water – that make the horrifying photograph by La Jornada journalist Julia De Lucso powerful. In the past, a defining visual of a policy’s cruel toll on the vulnerable had the power to rally public opinion. Remember Nick Ut’s “Napalm Girl” and its impact on the Vietnam War? “We used to think photos like this could change the world,” Washington Post art critic Philip Kennicott wrote in his column. Media outlets slapped a “sensitive content” warning on the image. But the warning should have read, “Are we still sensitive?”

______________________________________________________________



Close Up 

Photojournalists often run toward dangerous news scenes while a crowd runs the other way, but Dallas Morning News photographer Tom Fox took professional bravery to a new level on June 17, when he photographed a masked gunman outside a federal building in downtown Dallas. Fox’s quick reaction and steady hand provided a rare chance to look into the eyes of an active shooter.  A downtown resident in an apartment above him captured the moment on video, showing Fox hiding behind a pillar just feet from the stalking gunman, 22-year-old Brian Clyde, who was killed after exchanging gunfire with officers.


Patrick Farrell, the curator of The Sunday Still, is the 2009 Pulitzer Prize-winner for Breaking News Photography for The Miami Herald, where he worked from 1987 to 2019. He is currently a Lecturer in the Department of Journalism and Media Management at the University of Miami School of Communication.

Saturday, June 29, 2019

MIami Marlins catcher Jorge Alfaro gets his beard tugged


Miami Marlins catcher Jorge Alfaro (38) gets his beard tugged at by Philadelphia Phillies Vince Velasquez (21) as he sets up to bat. The Marlins went on to defeat the Phillies at Marlins Park 6-2 on Friday, June 28, 2019. I used the Canon EOS 1D-X and the Canon EF 200-400mm f/4L IS USM Extender 1.4x Lens mounted on the 3 Legged Thing ALAN Professional Carbon Fibre Monopod.  Miami Herald Sports https://www.miamiherald.com/…/miami-m…/article232098737.html

Thursday, June 20, 2019

Women Photographers in the Republic, Women of the Cuban Photography Club


        
"Last Wednesday of the Month" Lecture
"Women Photographers in the Republic"
Wednesday, June 26; 6:30 - 8:30pm


This lecture offers an unprecedented approach to the role of women as a modernizing force in Cuban society, focusing on the existence of the Photographic Club of Cuba between 1935 and 1962. 

Aldeide Delgado, Founder and Director of Women Photographers International Archivewill discuss her findings while conducting research for her project, Catalog of Cuban Women Photographers

Conceived in 2013, this initiative aims to document and recognize the work of women photographers in Cuba. It is a platform for the investigation on women who contributed to the development of Cuban photography, the historical conditions of their artistic participation, and the topics in their works beginning in 1853 with the recovery of the first Cuban female photographer to the present. Women Photographers International Archive is a nonprofit organization that researches, promotes, supports and educates about the role of women and those identified as women in photography

$5 Members / $10 Non-Members

RSVP by June 21 to dayana@coralgablesmuseum.org or 305.603.8067.  

This lecture is presented with the additional support of 
Arts Connection and Women Photographers International Archive.

Wednesday, June 19, 2019

The Sunday Still: Haiti through a Haitian photographer’s lens

Photojournalist Patrick Farrell has joined the blog with his weekly feature, The Sunday Still. Farrell selects one image each week that showcases the best photojournalism by photojournalists from around the world. The feature runs weekly in The Sunday Long Read. The goal of the newsletter, edited by Don Van Natta Jr. and Jacob Feldman, is to put the week’s best journalism in your hands every Sunday morning.

The Sunday Still
from Patrick Farrell


Haiti through a Haitian photographer’s lens 

Born in Haiti, AP photographer Dieu Nalio Chery grew up learning his craft in his uncle’s photo studio. Today, if an image from Haiti stops you in your tracks, it’s likely it was shot by Chery, a 2015 Magnum Foundation Human Rights Fellow. Whether it’s young men learning to swim, commuting families piled on motorcycles or breaking news, Chery has an eye for composition and natural beauty. On June 9, he captured the anger of thousands of Port-au-Prince street protestors demanding the resignation of President Jovenel Moïse, who has been implicated in government audits for the misuse of billions of dollars in Venezuelan oil aid given to fight poverty in Haiti. Framed by burning vehicles and chaos in the background, one woman conveys a country’s frustration with its government in her anguished face and outstretched arms.

Patrick Farrell, the curator of The Sunday Still, is the 2009 Pulitzer Prize-winner for Breaking News Photography for The Miami Herald, where he worked from 1987 to 2019. He is currently a Lecturer in the Department of Journalism and Media Management at the University of Miami School of Communication.

Monday, June 10, 2019

The Sunday Still: They’ll Never Walk Alone

Photojournalist Patrick Farrell has joined the blog with his weekly feature, The Sunday Still. Farrell selects one image each week that showcases the best photojournalism by photojournalists from around the world. The feature runs weekly in The Sunday Long Read. The goal of the newsletter, edited by Don Van Natta Jr. and Jacob Feldman, is to put the week’s best journalism in your hands every Sunday morning.

The Sunday Still
from Patrick Farrell


They’ll Never Walk Alone

When shooting a parade, you can go tight or wide. Award-winning Press Association photographer Danny Lawson has great instinct for standing back and waiting to tell the story. He captured the Sunday Still a year ago when he shot a glowing Meghan Markle as she walked through shafts of light during the Royal Wedding. He nailed it again on June 2, when the Liverpool Football Club brought home for the sixth time the Champions League Trophy, the biggest prize in European football. Parading through Liverpool and a sea of celebrants perched on lamp posts, street signs and shoulders, the team’s bus crawled through red flare smoke and a “Where’s Waldo” crowd scene. Lawson’s photo conveys joy without showing a single person’s face.

Patrick Farrell, the curator of The Sunday Still, is the 2009 Pulitzer Prize-winner for Breaking News Photography for The Miami Herald, where he worked from 1987 to 2019. He is currently a Lecturer in the Department of Journalism and Media Management at the University of Miami School of Communication.