Showing posts with label Nikon. Show all posts
Showing posts with label Nikon. Show all posts

Thursday, January 28, 2016

FOCUS ON THE EVERGLADES: Photo Workshop with Nikon Ambassador Ron Magill

RON MAGILL IS PLAIN AND SIMPLE ONE OF THE MOST VIBRANT STORYTELLERS IN PHOTOGRAPHY TODAY. ​— Joe McNally 

Improve your photography while spending the day on an airboat along the river of grass learning from the pros // PLUS WIN // some awesome product from MindShift Gear​, Peak Design​, Think Tank Photo​ and Polaroid University​ plus free prints from Image Pro International​. We are good to go with two final seats available!



Join Nikon Ambassador, Ron Magill and Miami Herald photojournalist Al Diaz, January 30th on an adventure destination photo workshop in the Everglades. After photographing sunrise in Big Cypress, our guides, Houston Cypress and Cesar Becerra will lead us to our destination — a private Miccosukee Village on an island deep in the Everglades. Transportation, breakfast and lunch included.
All inclusive  |  Full Day  |  Photography Workshop  |  Space is Limited  |  Saturday, January 30, 2016


Thursday, October 16, 2014

A Love/Hate Relationship with Nikon 1

jcridley@gmail.com

It’s amusing when I pull out a Nikon1 J3 and stick it on my 300 f2.8…the sneers, the laughs, the “what the hell is that” remarks….but the things these little camera bodies can do…
Nikon1-a
The Nikon 1 system is a interchangeable lens mount system developed by Nikon for its Nikon CX format mirrorless interchangeable-lens cameras. The Nikon 1 series was first introduced in 2011. Initial reaction after the debut of the system was widespread disappointment. The new cameras were quickly dismissed as glorified point and shoot cameras with a clunky interface. However, the quirky cameras’ lightning quick autofocus, high frame per second rate, and silent shutter have emerged as assets.
nikon_1-550x279 
When released, I initially agreed with most of the reviews, but a clearance sale caused me to take the plunge and purchase a J1 with a kit lens for $199. At the time I thought it would make an excellent time lapse device with its built in intervalometer.
However, when the camera arrived, the camera’s intervalometer wouldn’t shoot when set to shoot frames faster than one every five seconds. Turns out Nikon limited the camera’s ability to do so in the firmware, for reasons unknown. Also, there is no external connectivity with the J series, so there is no possibility of attaching an external intervalometer.
Then my thoughts turned to Nikon’s FT-1 adapter, which allows Nikon’s mainstream F-mount lenses to be attached to the CX sensor based Nikon 1 bodies. After purchasing a FT-1, I found that the ability to continuously focus on a moving subject had been disabled in the firmware.
I finally hit a home run with the tiny J1 after having it converted to infrared. Businesses including Life Pixel and Digital Silver Imaging will convert DSLR cameras to infrared for around $300-$400. After using this technician to convert a J1, I had a camera, lens AND an infrared conversion for about the same price.
"The U Statue" on the campus of the University of Miami, shot with an infrared converted Nikon 1 J1 with a 20mm f2.8 lens.
“The U Statue” on the campus of the University of Miami, shot with an infrared converted Nikon 1 J1 with a 20mm f2.8 lens.
After thinking the Nikon 1 was just going to be an infrared gimmick in my toolbox, Nikon released a firmware update to the FT-1 adapter, allowing for continuous focus. The system once again could be considered for use as an extreme focal length device.
Due to the 2.7x crop factor, a Nikon 1 body mounted on a Nikon 300mm 2.8 lens via the FT-1 adapter with 1.4x converter and lens hood attached creates an effective 1134mm f4 setup, albeit an odd looking one.
Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4, or as I call it,  an "extreme focal device."
Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4, creating, as I call it, an “extreme focal device.”
After purchasing a Nikon 1 J3 body to replace the converted to infrared J1, I put the above combination to the test last weekend during the Arkansas State @ Miami football game and the Brown @ Florida Atlantic women’s soccer match.
Duke Johnson attempts to elude two Arkansas State tacklers. Shot from approximately 80 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4.
Miami Hurricanes running back Duke Johnson attempts to elude two Arkansas State tacklers. Shot from approximately 80 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4.

Hurricanes offensive line coach Art Kehoe on the sidelines. Shot from approximately 50 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4.
Miami Hurricanes offensive line coach Art Kehoe on the sidelines. Shot from approximately 50 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4.

Florida Atlantic Women’s Soccer head coach Patrick Baker gives his club instructions during a break in the action. Shot from approximately 50 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4.
Florida Atlantic Women’s Soccer head coach Patrick Baker gives his club instructions during a break in the action. Shot from approximately 50 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4.

Florida Atlantic goalkeeper Sydney Drinkwater in action against Brown University. Shot from approximately 100 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4. Florida Atlantic goalkeeper Sydney Drinkwater in action against Brown University. Shot from approximately 100 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4.
Florida Atlantic goalkeeper Sydney Drinkwater in action against Brown University. Shot from approximately 100 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4.
With the extreme focal length, fast responsive auto focus and rapid continuous frame rate of 15 fps the Nikon 1 J3 is rather adept at covering sports action.  At such a extreme focal distance, the biggest challenge was trying to follow a subject during play by using the rear screen as there are no viewfinders on the J series bodies. The slightest movement of the rig can cause you to lose track of the subject rather easily. A V series body with an optical viewfinder may help alleviate that challenge. This little system even came in handy while shooting my Dynamic Waterfalls project this past June. After hiking to Blue Hen Falls in Cuyahoga Valley National Park early one morning I pulled my full frame Nikon body and 16-35mm f4 from the backpack to find the lens completely fogged over. After waiting 20 minutes the fog hadn’t receded. My J1 however, with much less optic real estate, was clear as can be. Did I mention it shoots video too?
Blue Hen Falls, Cuyahoga Valley National Park, Ohio. Nikon 1 J1 + 10mm f2.8.
Blue Hen Falls, Cuyahoga Valley National Park, Ohio. Nikon 1 J1 + 10mm f2.8.
In the end, the Nikon 1 series is an asset to my camera bag as a sports shooter, giving me extreme reach in daylight sporting events to get tight shots of coaches, action on the other end of the field, tight goalkeeper shots in soccer, and tighter shots of throwers during track meets. Sure, I could switch to Canon and pick up their legendary 1200mm f5.6 behemoth, but this setup is slightly cheaper. As a landscape shooter, I now have an infrared option that is small, inexpensive, and easy to pack alongside my regular setup. As a tourist, I have a small system that is as easy to whip out of my daypack as an iPhone, with better optics. I just may get along with this system after all.
Miami Hurricanes wide receiver Phillip Dorsett celebrates with assistant coach Brennan Carroll after scoring a touchdown. Shot from approximately 80 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4.
Miami Hurricanes wide receiver Phillip Dorsett celebrates with assistant coach Brennan Carroll after scoring a touchdown. Shot from approximately 80 yards away with a Nikon 1 J3, 300mm f2.8, and a 1.4x extender for an effective focal length of 1134mm at f4.

Tuesday, February 26, 2013

What's In My Bag - Think Tank Retrospective 30 - The Whole Kit And Caboodle



Back in October of 2012, on a whim, I entered the Al's Think Tank Photo Pirate's Booty Halloween Contest with my self-portrait image and I was lucky enough to win - See Story Here.



Think Tank Photo Retrospective 30 Bag and Costa Del Mar Sunglasses

Shown above with the Think Tank included rain cover.

The Costa Del Mar Wingman 580 sunglasses are a very nice, quality, stylish, polarized pair of sunglasses and they come with a lifetime warranty against manufacturer defects. If you want quality sunglasses that have a modern, hip, yet classic style, check them out at costadelmar.com 

The prizes also included a couple from Enlight Photo Products. The Frio coldshoe is a universal flash mount adapter that allows one to mount a flash onto a tripod or light stand.














The Enlight IOShutter cable is another prize and one that I find very useful. Combined with their free iOS application, it allows me to use my iPad or my iTouch as a remote shutter including timer, bulb long exposure, time lapse intervalometer, sound activated, and ShakeToTake modes. Shown below is the IOShutter cable connecting the iPad to the camera.
Enlight IOShutter cable




Enlight IOShutter and iOS application

My favorite prize of the bunch is the Think TankRetrospective 30 camera bag. 
Think Tank is a premier photography bag company and also makes versions 
of the bag that are smaller (Retrospective 5,7,10, and 20)  and larger 
(Retrospective 40 and 50) but for my size frame, the 30 is a perfect size. 

I have many camera bags in my collection and each one plays a different role 
depending on what and where I will be photographing. Most of them I've purchased 
for very specialized uses such as day hikes in the wild, on-location portrait shoots, 
studio use, travel, event photography,  macro and nature photography, landscape photography, etc. The Think Tank Retrospective 30 bag turned out to be a perfect 
fit for the unknown scenario. Sometimes I'm not sure what I will need on a shoot so
 I bring along a variety of items. In the past I would bring several different bags of items
 to a shoot and I was lacking a bag that could accomodate practically everthing but the kitchen sink. I needed something that could fit the whole Kit And Caboodle yet still be comfortable and non-obstrusive to carry. The Think Tank Retrospective 30 fits the bill perfectly and I now affectionally call it; "The Kit And Caboodle Bag". 

I've always felt that Think Tank photography bags are the "cream of the crop" but since their cost was typically higher than many of their competitors, I opted for lower-priced bags. Now that I've been able to own and use a Think Tank bag, I've realized that their features and quality provide me a value that far exceeds their cost. Since the contest, I have purchased additional Think Tank products to replace some of my other "kits". 
I will post about those in future updates to this blog.

Think Tank Retrospective 30 And Essentials

As I've mentioned, this is the bag I take with me when I'm not sure what I will need. From the picture above, you will notice that I also take a couple of other items that I consider essential. These include:

If I think that I will need a larger tripod or monopod, I will bring either an Oben or Manfrotto monopod and/or a Manfrotto or ReallyRightStuff tripod.

As you can see in the photo, the Retrospective 30 bag is filled to the brim but there is actually still room inside one of the many compartments, nooks, and crannies along with a back pocket that can fit an iPad or iPad mini. Now let's get to actually exposing the wonders of the Retrospective 30 and see what I put in it.

A wonderful little ThinkTank accessory is the Cable Management 20 bag (shown in the above photo at the top of the bag) containing my rechargeable batteries and several battery chargers. Here is a top view of the filled Retrospective 30 bag without the battery/charger bag:

Kit And Caboodle Inside Top View

It may not look like there is much in the bag (looks can be deceiving) so here is a view with everything taken out of the bag. 

Full Kit And Caboodle Contents

Surprising, isn't it?

Contents:
  • Spudz 18% Gray Microfiber cloth
  • Inova Flashlight
  • Think Tank Pixel Rocket Memory Card Wallet
  • Litemaster Pro L-478DR Light Meter
  • Sigma 150-500mm f5-6.3 Zoom Lens
  • Sigma 10-20mm f4-5.6 Wide Angle Zoom Lens
  • Sigma 17-50mm f2.8 Zoom Lens
  • Nikkor 50mm f1.8 Lens
  • LensBaby Spark Lens
  • Nikon D7000 Camera and MB-D11 Battery Grip 
  • Nikon  EN-EL15 Batteries (2)
  • Zeikos LCD Viewing Hood
  • Nikon SB-800 Flash and accessories
  • Think Tank Cable Management 20 bag filled with chargers, cables, and batteries
  • ThePOD Yellow Camera Bean Bag
  • Fader MkII ND filter
  • Heliopan Polarizer filter
  • Cokin P-Series ND Grad Filter
  • 72mm - 77mm Step Up Ring
  • BetterBeamer Flash X-Tender
  • Photoflex 12" White/Gold LiteDisc Reflector
  • Gary Fong Puffer On-camera Flash Diffuser
  • Sandisk and Transcend Class10 SDHC Memory Cards (several 4,8,16,32GB)
  • Think Tank Retrospective 30 Rain Cover (not shown)

Carrying a filled Retrospective 30 camera bag was suprisingly comfortable and not too heavy if you carry it messenger style with the bag across your body from the right shoulder with the bag resting on the left hip. I think the comfort can be attributed to the soft, thick, padded shoulder strap and also to the soft canvas fabric of the bag that conforms across my left hip. I also like the look and style of the bag and the feel of the material. The bag is designed and constructed with a myriad of pockets and compartments inside that sometimes plays on my memory to rediscover where I stuffed something.

I sincerely want to thank Al Diaz, ThinkTank Photo, Costa Del Mar, and Enlight Photo for the contest and prizes.

Let me know in the comments if you like this write up on my gear and wish to see the other "kits" of camera bags that I use for specific purposes.